Archive | 2013 Exhibitions

Don Frank – The Qtip Project

During this years’ MOP (Month of Photography), Abecedarian is exhibiting The QTip series by Portland, Oregon photographer Don Frank.
Don Frank - QTip Project
For the series Don photographed fellow artists, each in front of the same back ground, and each diligently cleaning out their ears with a Qtip. As Don notes,

this is a private task that is advised against by people who know better than us.  But we do it anyway.

In the words of Katherine Head, writer/editor,

Everyone is photographable.  Everyone has a story to tell, and it can be relayed without words.  But sometimes there needs to be a distraction for the person to share the truth.  Hence, the Q-tip.  
Frank chose fellow artists to sit for the Q-tip project, 26 in all.  Despite the near identical setup, the resulting portraits are as different as each artist.  Some are whimsical, some are contemplative, some are mysterious.  But they are all interesting.  A seemingly banal task, a simple part of many people’s every day routine, yielded surprising art.

Don’s work was exhibited in the 2010 Biographic exhibition, curated by Denver’s Master Mind and Action Figure series host, Katie Taft.

Don and Katie will be hosting Musical Chairs, a participatory performance and discussion on photography, at Redline on March 24, 60pm.

Don will be at Abecedarian on Saturday, March 23. So please, come by and meet the artist, from 2-4pm. Light refreshments will be served.

Photo Book Works at Abecedarian

Louise Levergneux 1a

Photo Book Works is an international exhibition of artists’ books incorporating photographic imagery and/or processes as a primary element.

This is the third Photo Book Works exhibition Abecedarian has hosted and, although the exhibition’s parameters remain the same, the works in this show are more varied in approach and content than in exhibitions past.

Click here to view the online catalog of the exhibition.

The works in this exhibition do much to support the viewpoint that the physical, printed book is most emphatically not on its way out, as some loudly proclaim, but rather that the book as physical object remains and will remain a constant.
Frans Baake Aits and Ayots 1a

The exhibition is juried by Rupert Jenkins, a former letterpress compositor who is director of the Colorado Photographic Arts Center, and also combines works from the collection of Abecedarian gallery director Alicia Bailey with selections from the holdings of private collector Carol Keller. Photo Book Works represents artists from the United States, Great Britain, The Netherlands, Spain, Canada, Argentina and Australia.

Juror Rupert Jenkins remarks:

“It doesn’t need to be said that books – in this case books sourced in photography – now come in varieties and forms hitherto unimagined. They always have, of course – hand painted and inked by monks, mass produced by German inventors, scrunched into pockets for reading underground, hand made, machine made, made in the cloud and delivered to your door in three days. Like all the most vividly creative collections, these particular works interpret our countless ways of seeing and experiencing the world, and they make us better for recognizing how varied and creative those individual worlds – our universe, so to speak – is seen to be.”

Charlene Asato Uluhe Tangle 1a

As Jenkins notes, the books in this show have one commonality – their innovative use of images in book form. Most noticeable to the gallery visitor are the varying strategies employed by the artists, who weave visual stories not just through their imagery, but through the diverse materials and structures they have chosen.
Amanda Watson-Will Like Weather1a

Some of these structures are comfortably familiar to the lay-person more used to a traditionally bound, linear approach to photography books. Others incorporate pop-ups, woven imagery, concertina folds, metallic surfaces, or loose objects to fully exploit the potential of marrying single images with the book form.
Francesca Phillips White Monks 1

Artists: Alex Appella, San Antonio de Arredondo, Cardoba, Argentina;
Amanda Watson-Will, Brisbane, Queensland, Australia;
Amandine Nabarra-Piomelli, Irvine, California;
Anne Lovett, New Paltz, New York;
Beth Uzwiak, Philadelphia, Pennsylvania;
Bill Westheimer, West Orange New Jersey;
Charlene Asato, Mountain View, Hawaii
Elsi Vassdal Ellis, Bellingham, Washington;
Emily Artinien, Chicago, Illinois;
Ewa Monika, Montreal, Quebec, Canada;
Francesca Phillips, Las Palmas de Gran Canaria, Spain;
Frans Baake, Enschede, The Netherlands;
Geirmundur Klein, Rotterdam, the Netherlands;
Hanne Niederhausen, Boca Raton, Florida;
Jane Simon, Sydney, New South Wales, Australia;
Joan MacDonald, Pine, Colorado;
Kevin Laubacher, Portland, Oregon,
Kristin Flanagan, Houston, Texas;
Laura Russell, Portland, Oregon;
Leah Oates, Brooklyn, New York;
Lila Pickus, Colorado Springs, CO;
Linda Morrow, Long Beach, California;
Lise Melhorn-Boe, Kingston, Ontario, Canada;
Louise Levergneux, South Jordan, Utah;
Michael Clements, Herefordshire, England, UK;
Michael Peven, Fayatteville, Arkansas;
Mirabelle Jones, San Francisco, California;
Paula Gillen, Boulder, Colorado;
Philip Zimmermann, Tucson, Arizona;
Shu-Ju Wang, Portland, Oregon;
Susan Brown, Anacortes, Washington;
Tara O’Brien, Philadelphia, Pennsylvania;
Thomas Finke & Jean Buescher Bartlett, Denver, Colorado & Ann Arbor, Michigan

Emerging Artist Exhibition Series – January 2013

Since opening in 2007, Abecedarian Gallery has featured emerging artists work each January. Although the gallery’s ongoing commitment to working with emerging artists will continue, this is the last exhibit in the Emerging Artist exhibition series.

This January (January 4 through February 2) works of Andrea Crane, Janelle Anderson and Whitney Stephens will be on view. Although all three of the Denver area artists work with drawing, their works are stylistically and conceptually different. The exhibit overall is a rich and exciting presentation of contemporary drawing.

About the artists:

Andrea_Crane_Stroller
Andrea Crane received a teaching certificate in Art Education from Metropolitan State University in Denver and is now teaching at Graland Country Day School in Denver. She is a mixed media artist who uses a variety of techniques to create smaller scaled works of art that are typically inspired by personal events.

Scattered Photos is a series of mixed media collages Andrea began while thinking about the lifespan of old family photos. She finds that although some may find looking at photos redundant and boring, she never never tires of looking at a photo. The series is inspired by family photographs, but does not utilize photographic imagery. them new life. The images, that depict brothers and sisters as children, are re-worked and given new life.

Janelle_Anderson_Free_Fall

Janelle W. Anderson earned her BFA in Painting from Metropolitan State University of Denver in 2011. She is an associate member of Pirate: Contemporary Art and works at Studio 12 Gallery. Primarily drawn with graphite and colored pencil on mylar, Anderson’s work focuses on the human condition and the ephemeral. Her works are stark, yet often quiet and chilling, using mostly a monochromatic palate high in contrast.

Free/Fall is a series of drawings on mylar that combine images of multiple views of a subject layered on top of one another creating an abstracted, yet recognizable form. Placed against a backdrop of empty space, the figures hover in limbo amongst a haze of striations stretching to and from. The small scale of these works draws the viewer in close to reflect in a moment of stillness. Although there are no human figurative depictions in this series, Free/Fall references the ephemeral while drawing parallels to the human condition.

Whitney_Stephens_Haze

Whitney Stephens graduated from Rocky Mountain College of Art & Design in 2012 with a BFA in Illustration & Fine Art. Her flat, often decorative style draws from her interest in folk & primitive art, but lends itself to more contemporary imagery & themes ranging from biology to fashion.

In this series of work Stephens utilized methods often used by Surrealists and Dadaists such as collage, photomontage, automatism, and games including ‘exquisite corpse’ to focus on design. The resulting pieces are patterned, decorative works intended for printing on fabric.

Photo Book Works

in the Reading Room October 1 – 30, 2010

Merck’s Manual 2


Photo Book Works is an international exhibition of artists’ books incorporating photography as a primary element. Photo Book Works was juried by Mia Semingson whose exhibition 39+ is on view in the main gallery. For this exhibition, Semingson selected the work of 31 artists from the United States, Great Britian, Switzerland and Australia.
Images of the works in the exhibit can be viewed here

Included in Mia’s statement are the following remarks:

“The artists included in this exhibition bring their images back to the tangible realm and weave visual stories not just with images, but with the materials they have chosen and the structure that houses their work. All of these ingredients deliver the artist’s concept to the viewer.
As technology changes and upgrades, as we reach deep into our pockets to purchase the next version of Photoshop, one thing remains and will remain a constant – the book. And I will defend books to my death – they are a technology that is here to stay, a wonderful constant presence in a rapidly changing world.”

Oneiro 2


Photo Book Works includes work by the following artists:

Adam Milner, Boulder, Colorado;
Aileen Bassis, Jersey City, New Jersey;
Al Rodríguez, San Diego, California;
Anna Mavromatis, Houston, Texas;
Bessie Smith Moulton, Falmouth, Maine;
Charles Hobson, San Francisco, California;
Cristina de Almeida, Bellingham, Washington;
Elizabeth M. Claffey, Denton, Texas;
Elsi Vassdal Ellis, Bellingham, Washington;
Ginger Burrell, San Jose, California;
Jill Timm, Wenatchee, Washington;
John Watson, Springfield. Oregon;
Judith Hoffman, San Mateo, California;
Kelly O’Brien, Alexandria, Virginia;
Laura Russell, Portland, Oregon;
Lauren Henkin, Portland, Oregon;
Lee Steiner, Pearland, Texas;
Louise Levergneux, Salt Lake City, Utah;
Mary Jane Henley, Tucson, Arizona;
Mary L. Taylor, Marshfield, Massachusetts;
Megan Adie, Basel, Switzerland;
Monica Oppen, Sydney, Australia;
Paula Jull, Pocatello, Idaho;
Philip Zimmermann, Tucson, Arizona;
Sabina U. Nies, Ashland, Oregon;
Sally Waterman, London, United Kingdom;
Scott K. Murphy, St. Joseph, Minnesota;
Steve Kostell, Chapaign, Illinois;
Thomas Finke & Jean Buescher Bartlett, Denver, Colorado & Ann Arbor, Michigan;
Victoria Bjorklund, Tacoma, Washington