Archive | Reading Room

Interior Markings

Ivory Lithics; detail 1

Interior Markings, a Reading Room Exhibition, is an invitational exhibition featuring artists’ books that have hand-drawn content as a primarily element in their production.

Field Studies: Arnica gracilis  (We Know Why); detail

On view July 1 – August 7, 2010
How to Distinguish Scents; pagesRepresented are artists from the United States and Italy. The exhibition includes both limited edition works alongside limited edition works.

Burning Me Open; pages


Clicking on above images will take you to a flickr page with full information about the artwork pictured, as well as other works by the same artist.

Clicking on the name from the artists’ list below will take you to their website.
Alicia Bailey, Aurora, Colorado
Alicia Griswold, Atlanta, Georgia
Andie Thrams, Coloma, California
Annie Cicale, Fairview, North Carolina
Carolyn Sheehan, New York, New York
Clarissa Jakobsons, Aurora, Ohio
Ellen Wiener, Southold, New York
Jamie Runnells, Starkville, Mississippi
Jan Owen, Belfast, Maine
Lisa McGarry, Florence, Italy
Melissa Jay Craig, Chicago, Illinois
Merike van Zanten, Acton, Maine
Moe Snyder, Portland, Oregon
Patricia Sahertian/Mary C. Leto, Pheonix, Arizona
Suzanne Vilmain, Santa Fe, New Mexico
Velma Bolyard, Canton, New York

Abecedarian Gallery is open Thursday, Friday and Saturday 1-5pm. Please inquire if you wish to view the exhibit outside regular gallery hours.

Abecedaries in the Reading Room

Exhibition open May 20 with an opening reception May 21 from (5-8pm) during the 3rd Friday Artwalk and remains on display through June 19.

In the Reading Room is an exhibition of Abecedaries (an abecedary is a book arranged in alphabetical order) by artists from throughout the US, UK, South Korea, Puerto Rico and Italy.

Artists included in this exhibition are:

Cari Ferraro (San Jose, California)

Falconer-1-ABC cropped Curt Lund (Minneapolis, Minnesota)

Dan Smith (Brooklyn, New York)

Dave Buchen (San Juan, Puerto Rico)

Emily Marks (Sonoma, California)

Heidi Zednik (Ashville, North Carolina)

Hong In Young (An-yang-city, Kyoung-ki-do, South Korea)

Joshua Falconer (Ventura, California)

Karen Hanmer (Glenview, Illinois)

Laura Davidson (Boston, Massachusetts)

Lisa McGarry (Florence, Italy)

Marian Crane (Phoenix, Arizona)

Marie Philomena Noorani (Richland, Washington)

Megan Chandler (Normal, Illinois)

Otis Lab Press (Los Angeles, California)

PBI ABCers (Northport, Alabama)

Philippa Wood and Tamar MacLellan (Lincoln, United Kingdom)

Rebecca Chamlee (Simi Valley, California)

Roberta Lavadour (Pendleton, Oregon)

Shawn Kathleen Simmons (Silver Lake, Ohio)

Shu-Ju Wang (Portland, Oregon)

Sushmita Mazumdar (Arlington, Virginia)

Suzanne Vilmain (Santa Fe, New Mexico)

Wendy Partridge (Cincinnati, Ohio).

And thirdly, also in the Reading Room – The Black Book Project. This is a multi-medium collaboration between 44 Colorado artists working on 14 teams.  Each team is comprised of 3 to 4 artists who, at the time of the project’s inception, had never met. The first week of March, 2010, each team was given one standard black spiral sketchbook, and participants were asked to cycle the book among their teammates as many times as possible over a 10-week period. There were no rules about how the artists could use the books or what content they could contribute.

In Retrospect: works on paper and books by Ann Lovett, Maureen Cummins and Nava Atlas

A Reading Room exhibition, In Retrospect opens April 1 and remains on view through May 8, 2010. It is the first venue in a several state tour of this exhibition by three notable contemporary book artists and the only scheduled venue west of the Mississippi.
Ann Lovett

Maureen Cummins

Nava Atlas

In Retrospect presents the work of three artists who explore contemporary culture through the lens of the past. Their shared source of inspiration is the book, a form that, while intimate and familiar, also carries with it the weight of history and the voice of authority.

As such, it provides a reference point from which to challenge personal and cultural constructions of knowledge. All three artists delve into public and private archives to gather images, documents, texts, and ephemera as source material. Rearranging and combining these found elements with new material, they create provocative new works that expose biases and question assumptions about what we know and how we know it.
For the viewer, new meanings and interpretations emerge as official versions of history and reality are subverted.
The found materials in these books are textual as well as visual, both common and rarified; the collections from which they are culled are varied and diverse, from libraries and museums to flea markets and dumpsters.

Maureen CumminsThe work of Maureen Cummins is inspired by old letters, documents, and photographs that she collects and lives with in her studio. She infuses wrenching subjects (including slavery, insanity, and torture) into motifs such as quilts, photo albums and ledgers, subverting the traditional values and gentility usually embodied in these ordinary objects.

Ann LovettAnn Lovett draws source material from historical archives and museum collections, as well as from personal documentation. Her work explores individual and collective memory, the culture of memorials, and institutional control of sites of war, trauma, and loss.

26. Atlas6Nava Atlas draws from personal collections of everyday ephemera, including pinup photos, advice columns, vintage food images, and old comic books. These texts and images, arranged in ironic juxtapositions, question intransigent assumptions about gender.

In the books as well as their related wall installations, intimacy and insight emerge in a variety of ways. By employing beauty and craft—in the form of sensual materials, compelling imagery, and both ancient and modern technologies—these artists draw their audience into difficult subject matter. They seek to navigate the very dualities of life itself: pleasure and pain, appearance and reality, past and present, what is represented and what is experienced.

In voices ranging from contemplative to impassioned, from ironic to vehement, the works in this exhibit generate an experience of wonder and revelation that is both personal and political.

The Beautiful Book – celebrating the allure of artists’ books

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On a recent visit to Denver, I was lucky enough to spend some time in the Reading Room at Abecedarian Gallery. It’s a rare treat to be able to pick up an artist book, sit down at a table and slowly experience it. Most of our art viewing experiences remain in galleries and museums where one goes to mostly see art, but in Abecedarian’s Reading Room you can hold art. With some books you might need to ask for assistance, either due to their fragility or value, others you might need to wear gloves – but most of the books you can just sit with, personally and quietly. I didn’t have time to look at every book – the gallery’s Reading Room hosts both special exhibits and a collection of represented artists, but below are a few books which will stay with me for a long time. Heidi Zednik

Currently on display In the Reading Room: The Beautiful Book, an exhibition honoring the art and craft of the handmade book. This exhibition was originally curated by Laura Russell for 23 Sandy Gallery in Portland, Oregon. This exquisite collection showcases the beauty in craftsmanship, materials, and imagery of the bookmaker’s art, each piece a reflection of the artist’s experience.

Several artists new to Abecedarian Gallery include photographer Vicki Topaz of San Francisco, California who explores the intrigue of the French “pigeonnier” – the survival of these “silent abandoned dwellings” has been compromised over the centuries, but Vicki has given them new life in her limited-edition book, Silent Nests.

With Silent Nests (Vicki Topaz) I returned to my childhood of living in rural Austria in the late 1960’s and 70’s. At that time, I had the chance to wander old castles and villas, climb around ruins and barns. So the images of these ancient pigeonniers held a familiar taste, one of dreams and lives nearly forgotten and obsolete, royal in monochromatic stillness, as if caught by chance. I turned each page slowly, eager to not want to rush the experience of seeing each new pigeonnier and then slowly come to rest. I leaned down closer to some images; as if I might be able to fall into this journey across France, fall beyond the picture. Heidi Zednik

Another exploration of wonder is manifest in two oversize works by Valerie Carrigan of North Adams, Massachusetts.

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In a folio of lithographs she presents birds as messengers urging us to stop and pay attention to that which strikes the soul in a new and extraordinary way.

With Messenger, Valerie Carrigan, took me into a mythical and intimate family journey — one of signs and omens, death, love and continuation. A large book, I immediately knew this book would require my full attention. I cleared the table to give Messenger space. I initially found it open, “in display”. I wanted to start from the beginning, so I closed it. Black cloth cover. When I first opened it, I wasn’t quite sure how to proceed. I am not a printmaker, nor a book artist, so I was unsure whether the folded pages inside were to be lifted out, or folded back. I chose to lift them out. I first read the text printed on the outside of each folio – poems, parts of the story that ultimately become the book. I folded back the folio, and each time found a large lithographic image of a bird, intensely close up. The intensity of each bird’s gaze mirrored the impact of each omen on the family. And so I moved through the book, lifting out each folio as if it were its own small book. If you have the chance, grab this book. It holds an exquisite combination of rawness and tenderness. Heidi Zednik

Artist Kelly O’Brien of Alexandria, Virginia, offers TurningPointe, a miniature accordion book constructed of paper, tulle, thread, and pointe shoe ribbon. Proving that you cannot judge a book by its cover, TurningPointe transforms into a wearable, life-sized tutu.

Other artists new to Abecedarian Gallery include Marilyn Joyce, Portland, Oregon,

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Marilyn Joyce’s Winter took me on a culmination of winter walks — stains and drawn lines marking steps and things noticed; the pages dry and smooth to the touch. The long horizontal format echoed space and openness. The pages curled on top of each other as I folded them from left to right; the sound of dry folding. No words accompanied this initial journey. Just like walking, it took place in silence. Then, finally, on the last page, a poem; which was just enough. A rich experience in simplicity. Heidi Zednik

Tom Biby & Jonathan Fetter-Vorm, San Francisco, CA/New York, NY, Dan Kirchhefer, Topeka, KS, Susan Lowdermilk, Eugene, Oregon, Nathan Lucas, Portland, Oregon, Mary V. Marsh, Oakland, California, Kitty Maryatt, Claremont, California, Amandine Nabarra-Piomelli, Irvine, California, Regula Russelle, St. Paul, Minnesota, Cathy Ryan, Minneapolis, Minnesota, Moe Snyder, Portland, Oregon, Sandy Tilcock, Eugene, Oregon and Rob McDonald, Lexington, Virginia and Tom Lascell, Canton, New York.
The Beautiful Book also includes work by gallery favorites Alice Austin (Philadelphia, Pennsylvania), Alicia Bailey (Aurora, Colorado), Jana Sim (Chicago, Illinois), Roberta Lavadour (Portland, Oregon), Jenny Craig, (Portland, Oregon), Bea Nettles (Urbana, Illinois), the artistic team of John O Smith & Edwin Jager (Oshkosh, Wisconsin) and Jan Owen (Belfast, Maine).

Crime and Romance

Abecedarian Gallery is pleased to be exhibiting the work of Iowa artist Emily Martin in the Reading Room this fall.
Martin’s work will be on display September 5 – October 24

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Martin uses a variety
of printing methods with her books including inkjet printing, letterpress, Xerox, color Xerox and
offset. Her books are in public and private collections throughout the United States and internationally,
including the Metropolitan Museum of Art, New York; The Tate Gallery, London; The Museum
of Contemporary Art of Chicago; The Victoria and Albert Museum, London; The Museum of Modern
Art, New York and others. 4.-It-Didn't-Just.jpg
She teaches at the University of Iowa Center for the Book and in workshops
around the country. This is her first solo exhibition in the Denver area.
At Abecedarian Martin is exhibiting work from an ongoing series begun in 1989. She
made a series of 26 image prints and 20 word panels loosely exploring the notions of crime and
romance. Some of the images were scenes of crimes and some were scenes of romance and some
what she calls the innocent bystander images.
5.-Cr&Ro-Diptych.jpgUsing the notion that adjacent word panels shade image
meanings, Martin has combined the images in various presentations including prints and artists
books.
In 2007 Martin began a similar process, working this time with a set of images and words
as if she were casting a play. She came up with six separate figures, three pairs of figures and two
different versions each of four different room settings and one crime scene body outline. This series is called Clues but no Answers.
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These characters and settings are layered on the prints in a variety of combinations.